Those auditioning will be asked to fill out an information sheet, providing basic contact information and detailing upcoming conflicts during the rehearsal and performance schedule. See each show’s description for detailed information regarding specific material that may be requested to be performed. Each audition date has an individual Facebook event created for it– RSVPing to these events is not required. Call backs are not listed. Call back information will be provided at the auditions. If you have any questions regarding any of our auditions, please do not hestitate to contact us at (319) 541-2980 or at email@example.com.
Auditions for Sweeney Todd: The Demon Barber of Fleet Street will take place on
Saturday, December 12 from 11:00 a.m. to 4:00 p.m. and
Sunday, December 13 from 2:00 p.m. to 7:00 p.m.
If callbacks are necessary, they will be on Monday, December 14 from 6:00 p.m. to 10:00 p.m.
Auditions will be at the Community of Christ Church, 2121 S. Ridge Dr., Coralville.
Rehearsals will begin on Monday, January 4 at 7:00 p.m.
The show runs February 12-14.
Please prepare 16 bars of a song that demonstrates your ability to communicate a character.
Bring sheet music in the correct key; an accompanist will be provided.
The music director would prefer that your selection NOT be from Sweeney Todd.
Your primary audition should take no more than a few minutes, but you may be asked to stay and work with a group. Be prepared to stay for an hour.
To secure an audition appointment, please fill out an Audition Form. Once you have submitted it, you should hear back from our producer, Liz Tracey, via email.
If you don’t hear anything within 24 hours of submitting your form, email her at firstname.lastname@example.org.
Walk-ins are accepted at auditions, but scheduled auditions will take priority.
“One of the darkest musicals ever written, Sweeney Todd is the unsettling tale of a Victorian-era barber who returns home to London after fifteen years of exile to take revenge on the corrupt judge who ruined his life. When revenge eludes him, Sweeney swears vengeance on the entire human race, murdering as many people as he can, while his business associate Mrs. Lovett bakes the bodies into meat pies and sells them to the unsuspecting public. Perhaps composer/lyricist Stephen Sondheim’s most perfect score, Sweeney Todd is lush, operatic, and full of soaring beauty, pitch-black comedy and stunning terror. It’s one of the signal achievements of the American musical theater of the last fifty years, and it’s the high water mark of Sondheim’s six remarkable collaborations with director Harold Prince.”
Sweeney Todd is about hypocrisy, that is, how we judge others differently than we judge ourselves. Is Anthony’s desire to posses Johanna any different than Judge Turpin’s? Is Mrs. Lovett’s enslavement of Tobias any different than Pirelli’s? Do not Turpin and Sweeney deal ruthless judgment? This beautifully constructed play highlights how we imagine ourselves righteous while quickly identifying the cruelty of others. It is beautiful in its biting truth.
A concert version of Sweeney Todd offers several amazing and rare artistic opportunities for those involved. While the fad in recent productions has been to strip this play down to a small musical ensemble and minimal chorus, our production will feature a full orchestra and as many as 40 choral singers. As the focus of a concert is on the music and the text, we will produce the full script and score with no cuts or omissions. Rather than focusing on spectacle, we will focus on bringing these amazing lyrics and music to life.
We will be looking for exceptional actor-singers whose skills match each role regardless of age or physical type.
Todd – A wrongfully imprisoned barber who returns to London unsure of the fate his wife and daughter. When he realizes that his family is irreparable, he decides to take revenge on everyone in the city. When Mrs. Lovett suggests that they grind the bodies of his victims for her meat pies, he takes delight in the irony of “man devouring man.” Range: F2 – Gb4
Mrs. Lovett – The poor and lonely owner of a pie shop. Desperate for love and a better life, she is willing to overlook Todd’s homicidal mania if he will only marry her. She withholds the truth about the fate of Todd’s wife. Range: G3 – E5
Tobias – A poor youngster apprenticed to Pirelli. He believes he has found a surrogate family in Todd and Lovett, until he discovers the horrible truth. Range: Bb2 – Ab4
Anthony – A naive and youthful sailor returning to London. He helps Todd return to London and unexpectedly falls in love with Johanna. Range: Bb2 – F4
Johanna – Todd’s daughter who has spent her young life caged in the care of Judge Turpin. She yearns for freedom. Range: Bb3 – A5
Judge Turpin – Portrays himself as a righteous and upstanding public official, but secretly uses his power to control and abuse the less fortunate. He lusts after Johanna and plans to marry her, though he is many years her senior. Range: E2 – Gb4
Beadle – A pompous public official. He is deeply loyal to the corrupt Turpin. Range: D3 – D5
Pirelli – Todd’s first victim, a flamboyant Italian rival barber; a charlatan with a secret past. Range: B2 – C5
Beggar Woman – Dirty, abused and forced into prostitution, she has a tenuous hold on reality. She is the first to notice the growing circle of death around Todd. After her death, Todd recognizes her as his lost wife. Range: Ab3 – F5
Chorus – as many as 40 performers of all ages and voice types. MANY solos and cameo roles.
Each actor should prepare 16 bars of a song of their choosing. Please sing anything that you feel showcases your voice and performance skills.
Each actor who wants to be considered for one of the named roles above will also be asked to sing one of following cuttings from the Sweeney Todd score. Each actor may choose the cutting that they prefer.
A – Todd
C – Johanna
D – Anthony
E – Pirelli
F – Beadle
G – Tobias
H – Judge
If callbacks are required, these additional cuttings will be used.
I – Todd and Lovett
J – Johanna and Anthony
K – Todd and Judge
L – Tobias
M – Beggar Woman